
Seiko · Watch
SKX009
Our Man in All Is Lost, 2013 — as worn by Robert Redford

Seiko · Watch
Our Man in All Is Lost, 2013 — as worn by Robert Redford
Early in All Is Lost, after Our Man discovers that a drifting shipping container has punched through the hull of his 39-foot yacht Virginia Jean, the Seiko SKX009 becomes one of the few fixed points in the frame.
The scene
Early in All Is Lost, after Our Man discovers that a drifting shipping container has punched through the hull of his 39-foot yacht Virginia Jean, the Seiko SKX009 becomes one of the few fixed points in the frame. Robert Redford is alone on screen, moving between the breached cabin and the deck as he gathers tools, pumps water, patches damage, and begins the practical routine that will carry the film. J. C. Chandor stages Redford’s actions in tightly mapped bursts of movement, so the watch appears in the same continuum of labor as the tape, pumps, charts, and rigging.
That matters because Our Man is the film’s sole character, referred to that way in the script and credits, and Chandor built the movie around Redford’s ability to externalize thought through action. With almost no dialogue, the Seiko reads as part of a stripped, workmanlike system: a dependable day-date diver on a worn blue NATO-style strap, practical enough for a sailor trying to restore normalcy while everything is going wrong. The watch feels used rather than showcased.
Frank G. DeMarco said the production relied heavily on wide lenses and a great deal of natural light, especially in the yacht’s cramped spaces and very close shots. That approach makes the SKX009 register in fragments: wrist, hand, tool, fiberglass, water. Shot in Baja’s vast outdoor tank at Rosarito, with real ocean sky and weather beyond the set, the watch’s blue dial and red-and-blue bezel flash against white cabin walls and open sea, framed at arm’s length as part of the body under pressure.
Archive — the object
Seiko’s SKX009 belongs to the long-running diver lineage the company built after its landmark professional and recreational dive watches of the 1960s and 1970s. Introduced as part of the SKX family in the mid-1990s, the model became one of the brand’s defining affordable mechanical divers: a mass-market Seiko that still met ISO 6425 dive-watch standards and carried the straightforward tool-watch character that made the company’s entry-level divers so widely trusted. The watch itself is a stainless-steel automatic diver with Seiko’s 7S26 calibre, a 21-jewel movement known for toughness rather than refinement, with day-date display and no hand-winding or hacking.
Its familiar SKX architecture includes a roughly 42. 5–43 mm case, Hardlex crystal, 200 m water resistance, a screw-down crown recessed at 4 o’clock, a unidirectional timing bezel, and bright luminous hands and markers. On the SKX009, the blue dial and red-and-blue “Pepsi” bezel give the otherwise utilitarian case its most recognizable identity. In All Is Lost, the watch is worn by Our Man on a faded blue NATO-style nylon strap rather than the bracelet or rubber strap more commonly associated with the reference. Watch coverage of the film has repeatedly identified it as an SKX009, with some collectors noting the close similarity of the North American SKX175; either way, the production clearly chose a Seiko SKX-pattern diver whose worn strap and weathered appearance suited the film’s stripped-down, solitary maritime setting.
Since Seiko discontinued the SKX line, the SKX009 has only grown in stature. It remains a collector favorite on the secondary market, prized both by purists and by the large modding community that formed around the SKX case. Later Seiko 5 Sports models inherited some of its look, but enthusiasts still single out the original SKX009 for combining true dive certification, in-house automatic mechanics, and once-unusually accessible pricing.
Acquisition ticket
Where to find it
Sign up free to save items, get alerts, and track availability.
Production Notes
Access the background file: ask anything beyond the page.







